Though what I have on this page pretty much covers the breadth of how I compose in different instances, I love any opportunities to expand out and take in new influences depending on what might be required for a specific project.
I'd say my music mainly tends to take after Koji Kondo and Joe Hisaishi, but includes Keiichi Okabe (Nier), Yasunori Mitsuda (Chrono Trigger), Hiroyuki Sawano (Xenoblade Chronicles X, various anime), and Gareth Coker (Ori and the Blind Forest), as I take in those soundtracks quite a bit.
His latest masterpiece is TRINITY TRIGGER, a charming Japanese RPG created by industry veterans, with a classic "JRPG" sound that long-time fans will enjoy.Bachelor's of Music from the University of Kent in the UK, but now Seattle based and working a job as an Operator in a Global Security Operations Center. With Scarlet Moon, he’s contributed to over a dozen indie titles ranging from the beautiful RPG from Lab Zero Games, INDIVISIBLE and the retro roguelike TANGLEDEEP to the upcoming 8-bit pop-infused ORANGE ISLAND and Greek-flavored SNES-style HAZELNUT BASTILLE. The last movement of Maurice Ravel’s score opens with the celebrated sunrise, whose musical subtleties suggest that what is deployed here is not so much the amorous transports of the two protagonists as music itself, in an array of colours and timbres. In 2014, Hiroki Kikuta joined forces with Scarlet Moon to bring his love for indie game development and the raw creativity they inspire to a worldwide audience. The pastoral suite about the love between shepherd and shepherdess, Daphnis and Chloe, has inspired a number of artists and composers. He also started Nostrillia Label and Metaphasic Child at this time through which he’s released a dozen original works spanning chiptunes, progressive rock, ambient music, and more. This was followed by freelance work in Japan’s vibrant but largely underground indie game community where he worked on over a dozen smaller titles leading up to work with SEGA on SHINING HEARTS and SHINING BLADE, with Namco Bandai on SOULCALIBUR V, and again with Square Enix on RISE OF MANA and SECRET OF MANA REMAKE. Kikuta continued his work at Squaresoft with the Super Nintendo sequel TRIALS OF MANA ( SEIKEN DENSETSU 3 in Japan) and the Japan-only PlayStation title SOUKAIGI where Kikuta was able to try his hand recording live session players for the first time.Īfter departing Squaresoft in 1998, Kikuta formed his own game production studio, Sacnoth, where he directed, produced, and scored the horror RPG, KOUDELKA. Flashing shall be installed at the perimeters of exterior door and window assemblies, penetrations and terminations of exterior wall assemblies, exterior wall intersections with roofs, chimneys, porches, decks, balconies and similar projections and at built-in.
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The score delighted fans around the world with its progressive rock, ambient, and world music stylings and remains his most famous work to date. CALIFORNIA BUILDING CODE - MATRIX ADOPTION TABLE CHAPTER 14 - EXTERIOR WALLS. After submitting a demo to Squaresoft and creating an impression with his demos that drew on Kikuta’s appreciation of progressive rock music, Kikuta was hired in 1991 and began creating sound effects for ROMANCING SAGA and composed the now-iconic soundtrack for SECRET OF MANA ( SEIKEN DENSETSU 2 in Japan).
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Having studied and obtained a degree in Religious Studies, Philosophy, and Cultural Anthropology and after a short stint as a manga illustrator, Kikuta got his start in music scoring several anime series before striking out to compose music for games. Hiroki Kikuta is a composer based in Tokyo, Japan who’s known for his varied inspirations from around the globe.
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